Photomontage

eventresources: Dream Machines: The Intersection of Live Arts Practices and Game Engine Technologies

Report from the Methods Network workshop and seminar series organized by Jonathan Dovey at the University of Bristol (21 - 22 January 2008).

This workshop was at the intersection of live creative practices - dance, drama, music - and on-line worlds and other game related technologies such as Machinima (films created using game engine software).

Tags: 
Animation
Audio interaction (synchronous)
Audio mixing
Motion capture
Moving image capture
Sound recording
Photomontage
Sound editing
Video-based interaction (synchronous)
Virtual world modelling
Telematic Art
live arts
Discipline: 
Dance Studies
Drama and Theatre Studies
Media
Music
By Lydia Horstman at Tue, 29/07/2008 - 17:55

project: The Personalised Surface within Fine Art Digital Printmaking

Grant Holder: Professor Paul Coldwell
Is it possible to create a personalised surface within fine art digital printmaking? This project seeks to consider and explore the way artists working now are dealing with the given surface of inkjet and what implications does this have for the role of print within an artists overall output. [read more]

project: The Constance Howard Resource and Research Centre in Textiles

Grant Holder: Professor Janis Jefferies
The Constance Howard Resource and Research Centre in Textiles is an independent Centre situated within Goldsmiths, University of London. Our mission is to become a leading international Resource and Research Centre for the study, promotion and dissemination of the collections we hold. We aim to capitalize on our unique position as the only Research and Resource Centre within a University environment that exclusively documents, promotes and fosters the pioneering history of textiles at Goldsmiths from the 1940s to the present day. [read more]

project: Interpreting The Bible and its Visual Expression Within the Cultural Landscape of Wales 1825-1975

Grant Holder: Dr Martin O Kane
The Imaging the Bible in Wales Research Project seeks to record a wide range of artwork from Wales during the nineteenth and twentieth centuries that depicts biblical scenes and characters. The Bible has played a vital role in the religious and cultural life of Wales, and the project seeks to interpret the social, political and theological issues that the artworks raise. [read more]

event: From Abstract Data Mapping to 3D Photorealism: Understanding Emerging Intersections in Visualisation Practices

Researchers in arts and humanities, social sciences, scientific and engineering communities are generating, and accessing via grid and other networked technologies, ever increasing amounts of complex data. In turn, the analysis and presentation, or the enabling of real-time collaboration on such data and its constructed models, relies increasingly on visualization techniques and environments. Incremental advances in technology have tended to lead to the emergence of discipline specific methodologies or dedicated software.

Tags: 
Grid Computing
3d graphic design
3d modelling - vector
Resource sharing
Graphical rendering
Image manipulation
Photomontage
Version control
Texture design and mapping
Visualisation
Collaborative publishing
By Torsten Reimer at Fri, 01/06/2007 - 12:14

project: Palaeopathology and the origins and evolution of horse husbandry

Grant Holder: Professor Graeme Barker
A collaborative, interdisciplinary project, rooted in archaeology and employing veterinary science to identify osteological differences between riding, traction and free-living horses, resulting from their different life-ways, in order to further our understanding of the origins and evolution of horse husbandry. Two analytical methods are employed: 1) A detailed comparative study of skeletons from a wide range of sources, both modern and ancient. We are examining samples from 3 populations of modern horses (free-living Exmoor ponies, Lithuanian draught horses, and riding ponies. [read more]