Audio mixing

tool: Pro Tools

Purpose: 

Pro Tools is an audio creation and production software. With Pro Tools it is possible to compose, record, edit, and mix music or sound for picture — all within one system.

Features: 

• over 70 groundbreaking virtual instruments, effects, and utility plug-ins
• over 8 GB of audio loops
• view, edit, arrange and print MIDI data as music notation
• Supports files up to 4 GB

A&H use case 1 description: 
The “Activated Space: the transformation of internal spaces to become audible and interactive” project has used Pro tools to transfer Audio content and to encode Audio for 5.1 into Dolby Digital (AC3) at 640 kbps through SmartCode Pro.
Publisher: 
Digidesign
Creator: 
Digidesign
Data analysis: 
Discipline: 
Software/programming languages used: 
Alternate tool(s): 

Cubase, Reaper, Nuendo

Licence: 
lifecycleStage: 

project: What is Black British Jazz? Routes, Ownership, Performance

The ‘Black British jazz’ project (BBJ) explores the emergence of a distinct tradition within British music. BBJ melds reggae, hiphop, African music and US jazz into a rich, and constantly developing set of sounds. In documenting this musical hybrid, the project touches on important issues for the study of music – the transmission of cultural values, the social context of musical forms, and frameworks of ownership that impact on musical communities. [read more]

project: Musicians of Britain and Ireland 1900-1950

The project provides recordings of performances by British and Irish musicians made between 1900 and 1950. owing to changes in company policy in the 1930s, their work was gradually excluded and mush of it forgotten. MBI is accessible through an attractive online search interface that also gives access to the complete recorded output of the AHRC Research Centre for the History and Analysis of Recorded Music (CHARM). [read more]

project: Centre for the History and Analysis of Recorded Music

Aims to promote the study of music as performance through a specific focus on recordings. Its activities include a major discographic project, seminars and research projects. Traditionally, music has been studied as a text reproduced in performance - almost as if it were an obscure kind of literature. By placing performance at the centre of musicology - by promoting a musicology based on recordings and not just scores - CHARM aims to reduce the gulf between musicology and the listener. [read more]

Report on the Methods Network workshop run by Dave Meredith, Goldsmiths College, University of London, 8 September 2006.

The goals of this workshop were:

  • To identify worthwhile goals for future inter-disciplinary projects involving collaboration between technologists and music researchers and practitioners.
  • To raise awareness among leading music researchers and practitioners of the ways in which technology can (and cannot) be used to improve musical research and practice.
Discipline: 

Report from the Methods Network workshop and seminar series organized by Jonathan Dovey at the University of Bristol (21 - 22 January 2008).

This workshop was at the intersection of live creative practices - dance, drama, music - and on-line worlds and other game related technologies such as Machinima (films created using game engine software).

Report from the Methods Network workshop run by Alan Blackwell and Ian Cross, CRASSH, University of Cambridge and Julio D'Escrivan and Richard Hoadley, Anglia Ruskin University, 20-21 December 2006.

Discipline: 

project: The body and mask in ancient theatre space

The project applies advanced 3 dimensional technologies to study the practice of ancient mask theatre. It produces 3D scans of Greek and Roman mask miniatures relating both to comedy and tragedy, and reproduces them at life-size by rapid prototyping. [read more]

project: Siobhan Davies Dance Online

Siobhan Davies Dance Online is a project that created a fully searchable, online, digital archive of the work of the choreographer Siobhan Davies. In addition to extensive film footage of performances and rehearsals, photographs, programmes etc. [read more]

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