Modern

project: Documentation of endangered languages and cultures in the Nigeria-Cameroon borderland

The Nigeria-Cameroon borderland is one of the most linguistically diverse regions of the world, with many languages either near extinction or severely endangered. This project builds on previous work by the participants in surveying and documenting endangered languages in this region. One example is the language of the Somyewe, a small group of blacksmiths whose language and culture are on the verge of disappearing. Documentation of two other local languages will also be undertaken. [read more]

project: Weaving communities of practice. Textiles, culture and identity in the Andes: a semiotic and ontological approach.

Research in Bolivia, Peru and Chile, combined with museum research there and in the UK, focuses on Bolivia, Peru, and Chile on the basis of previous ethnographic, archaeological and museological knowledge and contacts, and three time horizons: Tiwanaku, the Inka-early colony, and the contemporary. [read more]

project: Reanimating cultural heritage: digital repatriation, knowledge networks and civil society strengthening in post-conflict Sierra Leone

This multidisciplinary project is concerned with innovating 'digital curatorship' in relation to Sierra Leonean collections dispersed in the global museumscape. Extending research in anthropology, museum studies, informatics and beyond, the project considers how objects that have become isolated from the oral and performative contexts that originally animated them can be reanimated in digital space alongside associated images, video clips, sounds, texts and other media, and thereby given new life. [read more]

project: Who Were the Nuns?

The project is a prosopographical study of the English convents in exile during the period 1600-1800 when it was illegal to be a nun in Britain. Key research questions include a broad response to the question 'Who were the nuns?' This involves locating the members in their family, religious, political and economic context and identifying the support networks sustaining the convents over two centuries. [read more]

project: Staging Exile, Migration and Diaspora in Hispanic Theatre and Performance Cultures

The project focuses on Spanish Republican Exile (SRE) theatre and performance, aiming to recover, represent and help to preserve the full range of representation of the experience of exile in theatrical and performance texts and paratexts (histories, memoirs, reviews, criticism, photographs and audiovisual recordings), by contributing to the creation, updating and maintenance of the Centre for the Study of Hispanic Exile's bibliographical database and stand-alone web resource on SRE, and by bringing together key researchers on Spanish Exile Theatre and Performance in a series of panels within [read more]

project: Women in Modern Irish Culture

The database includes a whole range of publications, such as novels, articles, poems, memoirs, travel writing, essays, cookery writing, plays, films, etc. The database also provides biographical details, where available, such as birth dates, date of death, place of birth and death, places associated with a particular author, together with all known pseudonyms. Every known edition of a book, play, or film is listed, along with details of printers and publishers for each work. [read more]

project: An investigation into what constitutes a reproduction in the 20th Century, through the 19th Century collotype process

This project challenged the notion of what constitutes a reproduction in the light of 21st Century digital technology and print output through an evaluation through visual and practical research into 19th Century photomechanical print processes, in particular the process of collotype. Whilst the contemporary half-tonal system is a commercially economical means of printing, the resulting images do not fully attain the same depth of colour or image clarity as those produced by either chemical photography or the screenless photomechanical printing processes in use at the end of the 19th century. [read more]

project: Out of the Wings

Out of the Wings brings the untapped riches of the theatres of Spain and Spanish America to English-speaking theatre professionals – practitioners and researchers alike. The virtual environment will reveal the plays as well as the bodies of knowledge that inform and sustain professional practice within Hispanic cultures. [read more]

project: A searchable, standards based catalogue of the Calum Maclean collection of Gaelic oral narrative

The Calum Maclean Collection Online Catalogue Project aims to make a major collection of material central to Scottish Ethnology available in digital form as an accessible and flexible research resource. The collection consists of over 13,000 manuscript pages of transcriptions of Gaelic folklore and song from the fieldwork of Calum Iain Maclean (1915-1960) carried out mainly in the Scottish Hebrides as well as in the Scottish Mainland Highlands. Primarily the collection consists of tale-texts together with full-length autobiographies from two major storytellers. [read more]

project: Commissioning, production, content and audience reception of bicentenary events commemorating the abolition of the slave trade in the UK, 1807-2007

The central aim of the 1807 Commemorated project was to both map and analyse the responses of museums and their audiences to the 2007 bicentenary of the abolition of the slave trade act of 1807. [read more]

Pages