Modern

project: A historical corpus of the Welsh language

The Historical Corpus of the Welsh Language 1500-1850 is a collection of Welsh texts from the period 1500-1850 in an electronic format. It is the result of a project to encode Welsh texts of the period funded by the Arts and Humanities Research Board (AHRB Resource Enhancement Award RE11900) in the Department of Linguistics at the University of Cambridge between 2001 and 2004. The project's Principle Investigator was David Willis, while Ingo Mittendorf was the project's Research Associate. [read more]

project: British Fiction, 1800-1829: A Database of Production, Circulation and Reception History

British Fiction, 1800–1829: A Database of Production, Circulation & Reception (DBF) arises from more than fifteen years’ general research into Romantic-era British fiction, by the project director, Professor Peter Garside. The project provides a comprehensive bibliographical record of the production of fiction during the first three decades of the nineteenth century, supplemented by a variety of contextual secondary materials drawn from the period. [read more]

project: Gendering Latin American Independence: Women's Political Culture and the Textual Construction of Gender 1790-1850

The aim is to rethink Latin American Independence in terms of gender. The project consists of three lines of enquiry: the study of women’s political culture, women’s writings, and the textual construction of gender in literary and political discourse. Research Questions: The project is a textual and historical study that investigates the ideas and activities of women who, as a social group, contributed to the making of public culture in early nineteenth-century Latin America but were largely excluded from it. [read more]

project: A web-mounted database of mid-Victorian wood engraved illustration

This is a digital database of at least nearly 900 wood engravings from periodicals and books published in the 'golden age' of illustration: the mid-nineteenth century. Taking 1862 as a sample year, the database draws on two major collections: the periodical illustrations of the 1860s and 70s in the School of Art Museum and Gallery, University of Wales, Aberystwyth, and the Forrest Reid collection in the Ashmolean Museum, Oxford. These important collections are currently under-exploited and accessible only to scholars in Britain. [read more]

project: French Vernacular Books: A Short-Title Catalogue of Books in the French language published before 1601

The St Andrews French Book Project intends to create an analytical bibliography of all books published in the French language before 1601. It is the first ever global survey of early French books, based on an exhaustive investigation of over 1550 libraries worldwide. It is also the first major national bibliographical project to have been designed and completed entirely in the electronic age. [read more]

project: Analysing the Mitchell and Kenyon Collection in relation to regional and non-fiction films 1900-1911

The Mitchell and Kenyon collection has substantially challenged the traditional view of early cinema in that it has shifted the emphasis to exhibition and audience response away from film production and technique. The Collection has provided empirical evidence that the spread and exploitation of cinema in the first decade of the twentieth century outside the South East basis was primarily undertaken by itinerant showmen. [read more]

project: Sound and Metre in Italian Medieval and Renaissance Narrative Verse

An on-line database containing an exact, detailed and systematic representation of the sound and metre of the major narrative poems of the Italian Middle Ages and Renaissance. The database provides a firm evidence base for the analysis, comparison and interpretation of specific structures, and combinations of structures, across a substantial corpus of related poetic texts. It also aims to develop and test the capacity of computer-based processes to serve the purposes of literary scholarship. [read more]

project: Palaeopathology and the origins and evolution of horse husbandry

A collaborative, interdisciplinary project, rooted in archaeology and employing veterinary science to identify osteological differences between riding, traction and free-living horses, resulting from their different life-ways, in order to further our understanding of the origins and evolution of horse husbandry. Two analytical methods are employed: 1) A detailed comparative study of skeletons from a wide range of sources, both modern and ancient. We are examining samples from 3 populations of modern horses (free-living Exmoor ponies, Lithuanian draught horses, and riding ponies. [read more]

project: Recovering the Material and Visual Cultures of the Southern Sudan: A Museological Resource

The cultures of Southern Sudan have been central to anthropological research and teaching since the publication of Evans-Pritchard’s classic works on the Zande and Nuer in the 1930s and 1940s. A number of collections from Evans-Pritchard and other figures in the history of the study of the cultures of the Southern Sudan are represented in the collections of the University of Oxford’s Pitt Rivers Museum. [read more]

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